Sunday August 12, 2023
Editor's Note | Sunday Books | Book Signing | READER ESSAY - The Spotsy School Board Wants BRAVE Books
Editor’s Note: Welcome back to Sunday Books. Last week’s inaugural issue was well-received, and we look forward to continuing to be a regular part of your Sunday morning routine.
If you would like to be a reviewer, drop us a line - editoratfs@gmail.com.
The Art Thief
by Michael Finkel
Published by Knopf, Hardback - $28, 240 pages (Published June 27, 2023)
Hardback edition
Kindle version available
Reviewed by Penny A Parrish
Most people who steal art do so for money. Usually they find out that fencing a famous piece is difficult, so works often disappear into the black market never to be seen again. Other thieves try to get ransom money and are caught.
Stephane Breitwieser takes a different approach. This Frenchman considers himself an “art collector” or “art liberator.” In other words, he steals his pieces. Over the course of eight years, he and his accomplice walked out of museums and galleries in Europe with more than three hundred works of art which he kept in his two attic rooms so he could wake up each morning surrounded by beauty.
Michael Finkel was able to interview Breitwieser, who is in prison, about his escapades. They began after his parents divorced, when his father not only left their home but took all of his art collection with him. Stephane’s goal was to accumulate a collection far better than any his father had. And he succeeded.
The art thieves have a pattern. He is accompanied by his girlfriend Anne-Catherine Kleinklaus, who serves as his lookout. They dress in Hugo Boss and Chanel which they buy from resale stores because he can’t hold a job and she works as a nursing aide at a hospital. He carries a Swiss army knife which he uses to loosen screws or cut paintings out of frames. They put their loot in his backpack or her large fashionable purse and walk out the door. They steal silver, oils, statues, weapons – anything that catches his eye. Like an addict he becomes more and more careless, until he is eventually caught.
Readers will be fascinated – and appalled – when they find out what happened to many of the stolen items. For example, a tapestry (yes, they were able to steal something that large) ends up in a roadside ditch. When discovered by a passerby, it is taken to the police, who think it’s an old rug and put it on the floor of their precinct. Another man finds a few paintings on copper which he uses to repair the roof of his henhouse.
Finkel did his research, and puts together an intriguing trail of theft, love, narcissism, family dynamics and risk. Since the thieves stole from several countries, it was difficult for law enforcement to connect their activities. Finkel pulls them all together in this fascinating true crime book.
Tom Lake
by Ann Patchett
Published by Harper, Hardback - $24, 320 pages (Published August 1, 2023)
Hardback edition
Kindle version available
Reviewed by Ashley Riggleson
Ann Patchett’s novels have always been hit or miss for me, so I was hesitant when I saw that her latest, Tom Lake, was available for review. I requested it because I had a gut feeling I would love this title, and I did. This quiet and melancholy novel, which is set, in part, during the beginning of the pandemic, is bittersweet and poignant. Tom Lake is my favorite Patchett novel to date.
As the novel opens, readers are introduced to a family of cherry farmers who are struggling to harvest their crop without the usual number of pickers. It is early in the pandemic, and Lara’s grown daughters have all returned home. Their lives are repetitive and mundane, but the past is not. And as the family spends day after day picking cherries, Lara’s daughters, Emily, Maise, and Nell, convince their mother to tell the story of her past relationship with an up-and-coming young actor named Peter Duke who, when the story opens, is a true celebrity.
Although the pandemic plays a key role in this plot, most of the novel is set in the past, and we first meet Lara as a high school student who lands a role in a community production of “Our Town.” She is a natural Emily, but she is not initially aware that this play has changed her life. After the production is done, Lara continues working as a seamstress and goes to college. But when her college also puts on a production of “Our Town,” Lara once again plays Emily and is “discovered” by a man working in the film industry. Though her career in Los Angeles is not notably successful, Lara once again stars in a production of “Our Town,” this one at Tom Lake, a theater company in Michigan. It is here that she meets Duke, who is also in the play. He is an ambitious young actor with dreams of stardom. As their paths collide during one golden summer, a wild romance blooms, but, as readers know from the beginning, does not work in the end.
A novel like this relies heavily on the author’s ability to create complex characters, and while not every person who features in this novel feels as well-crafted, Patchett has created, in Lara, a woman with an incredibly rich inner world that propels the novel forward. She is an ordinary woman in extraordinary times, and the pandemic, though largely unmentioned, plays a key role in making this novel possible.
Oddly, though, there is little mention of the disease or its impact. And while that may seem unbelievable, I think it works. Patchett perfectly captures the trauma of those early days, in which distancing yourself from the world outside was a matter of survival. This gentle, compassionate, and elegiac novel also shows how storytelling can help us cope with even the harshest circumstances.
I wondered if Tom Lake would be anything like Elizabeth Strout’s most recent novel, Lucy by the Sea, which I also enjoyed. The two works are, thematically speaking, quite similar, and the tone they strike is comparable as well. Both novels seem to mourn a pre-pandemic world, but both novels are not without joy. One key difference, however, is that while Strout’s novel is very minimalist, Patchett is not afraid to take her time. And Tom Lake is a densely packed book with measured pacing.
Tom Lake also explores themes of fame and ambition, topics that differentiate this novel from Strout’s earlier work. And, as Lara tells the story of her time with Duke over that golden summer, she also explains why her life went in a different direction. This book is, ultimately, a love story in which the ordinary shines with beauty and fame is destructive.
This touching novel, which explores love in all its iterations, is a wonderful contribution to literature about the pandemic, and I loved reading it. Patchett shows that horror and beauty are, in a post-pandemic world, two sides of the same coin, and the family in Tom Lake, with all its tenderness and foibles, is sure to leave an indelible mark on readers’ hearts.
Book Signing
Jim Hall - Saturday, Aug. 19, beginning at 1 p.m. at the Barnes & Noble in Central Park in Fredericksburg
Jim Hall, a Virginia native now living in Fredericksburg, will sign copies of his new book The Lynching of Arthur Jordan on Saturday August 19. From the book jacket:
Arthur Jordan and Elvira Corder were young and unafraid, but their love was doomed. He was Black, she was white and this was Virginia in 1880. When Elvira became pregnant, the couple fled Fauquier County to live in Maryland. But her father found them and recruited neighbors to help kidnap them. Four nights later, a mob dragged Arthur from the county jail in Warrenton and lynched him. Elvira, taken to a hotel in Williamsport, Maryland, was never heard from again. Stories of lynching are all too common in the postbellum South, but this one tells a unique tale of a couple who were willing to sacrifice everything to be together—and did. Author Jim Hall tells a classic tale of forbidden love, one of hope crushed by hate.
Hall previously published The Last Lynching in Northern Virginia: Seeking Truth at Rattlesnake Mountain in 2016, also with The History Press. He holds a master’s degree from Virginia Commonwealth University and is a former adjunct instructor at the University of Mary Washington. A native of Virginia, he is retired and lives in Fredericksburg.
The Spotsy School Board Wants BRAVE Books
Let Them Have Them - Let Them Greenlight All Books
by: Martin Davis
It’s a weak and cowardly mind that fears books. No matter the title.
This coming Monday night, the Spotsylvania School Board will vote to approve a list of titles to be donated to the school libraries. Many of these are published by BRAVE Books.
To the surprise of no one who has been paying attention, BRAVE Books is a conservative, faith-based (read, “evangelical”) company that describes itself this way:
To honor God by shaping a future generation of Americans, who will fight for a nation defined by freedom, truth, humility, bravery, and compassion. To help parents instill a love of truth in their children so that the children will withstand harmful progressive influences.
Let’s hope the same parents who have protested the wave of book bans in Spotsylvania don’t themselves become banners of books they disagree with.
Let’s be clear - I’m not a fan of BRAVE Books. But would I prevent my kid from checking them out? No.
We raised our children with the very progressive values that BRAVE Books clearly fears. Surely the people of BRAVE Books won’t be surprised to learn that I find their core religious values to be potentially damaging to the country, as well.
Where do we differ? Unlike school board chairperson Lisa Phelps and Superintendent Mark Taylor, I’m not afraid of the boogeyman.
Afraid of Phelps and Taylor? Not hardly.
People too afraid to talk to media or those they disagree with are not to be feared. They’re to be pitied, and exposed for what they are - Anti-democratic.
Pour on your best arguments to convince my kids mom and dad were wrong, I say. I’ll shiver not a bit.
That’s because at the core of my progressive beliefs sits the values of mutual respect, intellectual curiosity, and the power of debate in the public square.
Afraid of Phelps and Taylor? Not hardly.
People too afraid to talk to media or those they disagree with are not to be feared. They’re to be pitied, and exposed for what they are - Anti-democratic.
Consider this summary of just one of the books on the list the board will undoubtedly approve Monday night, Fame, Blame, and the Raft of Shame. The publisher describes it this way:
In … “Fame, Blame, and the Raft of Shame,” BRAVE Books and Dan Crenshaw explore cancel culture and the effect it has on society. While today's culture presents canceling others’ opinions as the solution to their problems, they don’t realize that a culture of canceling eventually cancels culture entirely.
One doesn’t need a Ph.D. in logic to find the fallacy in this line of thinking. “Cancel culture” is certainly real, and progressives’ hands are hardly clean - note “trigger warnings,” the push to rewrite Mark Twain and, more recently, 1984, as well as the politically correct movement that started in the 1980s.
But throughout the ‘00s and ‘20s, the conservative movement (I should really say the Tea Party and MAGA movements) has hardly been a beacon of democracy and freedom.
And Spotsylvania has been the poster child for this.
Burning books? I challenge anyone to show me a time over the past 2,000 years when book burners were on the right side of history.
Lying about slavery and its impact on America’s past and its present? Welcome to Florida - where the willfully ignorant rule. For those who thrive in stupidity, no need to move. Gov. Glenn Youngkin is bringing Florida to Virginia as fast as he can.
Closing libraries? Yeah, Taylor, that’s a sure-fire path to academic success.
I’ll stand by my progressive values and wilt not one bit from the criticism (ask my partner Shaun Kenney - I give as well as I get).
Why would I run from the policies of Franklin D. Roosevelt, whose policies have done more to lift the elderly out of poverty than arguably any other effort over the past century?
Or the politics of John F. Kennedy and Lyndon B. Johnson? Civil rights, the Great Society - just horrible. (Note for the illiterate - that’s sarcasm.)
Or the politics of Abigail Spanberger and Ben Litchfield, who defend the right of women to manage their own health care and stand up for the most vulnerable in our society with a hand out and a hand up? If you really want to argue with me that medical decisions don’t belong to the patient and their doctor (or have conservatives forgotten their mask wars during COVID were based solidly on that argument), and that society has an obligation to help raise all ships, well, bring it on.
Does this mean I celebrate everything progressives have done? Of course not - see my remarks above regarding cancel culture.
But I sure as hell stand with democracy and the public square. Freedom of speech. And all the other principles that sit at the core of the U.S. Constitution - a truly original document, that I seriously doubt that Phelps has even read. And Taylor surely doesn’t understand it.
So bring on BRAVE Books. Let kids check them out and read them.
Just as they should be free to read Toni Morrison and Kite Runner and This Book Is Gay.
I’m not afraid. Spotsylvania’s progressive parents shouldn’t be, either.
People too afraid to defend their opinions aren’t to be feared. They’re to be pitied.
And kept as far away from the halls of power as we can.
Does BRAVE have a book about a young virgin whose first kiss was on her wedding day when she married a young man from a good ( and famous) family. Somewhere between her second and fifth pregnancy, it’s discovered that her husband had not only molested other children, had an online account with a hookup site, and was in possession of child porn. I wonder if it would have a happy ending, and what that would be.